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Levon Cade left behind a decorated military career in the black ops to live a simple life working construction. But when his boss’s daughter, who is like family to him, is taken by human traffickers, his search to bring her home uncovers a world of corruption far greater than he ever could have imagined.
A father (Paul Rudd) and daughter (Jenna Ortega) accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss (Richard E. Grant) seeks to exploit the creature's miraculous curative properties.
Jesus rides into the holy city as king, but finds his Father’s house has been turned from a place of prayer into a corrupt market. As the Jewish High Priest schemes against the would-be Messiah, Jesus strikes first—turning the tables on religious corruption.
A lone, spectral woman shrouded entirely in black appears on a family’s front lawn without explanation and warns them “today’s the day.” Where did she come from? What does she want? When will she leave? Only The Woman in the Yard knows. From Blumhouse, the most successful global brand in horror, comes a new original chiller starring BAFTA and SAG nominee Danielle Deadwyler (Till, The Harder They Fall, The Piano Lesson) as Ramona, a woman crippled by grief after she survives a car accident that takes her husband (Russell Hornsby; BMF, Fences). Seriously injured, Ramona now must care for their 14-year-old son (Peyton Jackson; Respect, American Refugee) and 6-year-old-daughter (Estella Kahiha; Will Trent, BMF), alone in her rural farmhouse. Then one day the woman takes form in their yard. Ramona assumes the woman (Okwui Okpokwasili; The Exorcist: Believer, Julie Taymor’s A Midsummer Night’s Dream) is lost or demented, but as the woman creeps nearer and nearer to the house, it becomes clear she is no ordinary figure and her intentions are anything but peaceful. Now Ramona must rally to protect herself and her children from the grasp of the woman who simply won’t leave them alone. The Woman in the Yard is directed by Jaume Collet-Serra (Black Adam, Jungle Cruise), who recently directed Deadwyler in the upcoming action thriller Carry On. The film is written by first-time feature screenwriter Sam Stefanak.
“Disney’s Snow White,” a live-action musical reimagining of the classic 1937 film, opens exclusively in theaters March 21, 2025. Starring Rachel Zegler (“West Side Story”) in the title role and Gal Gadot (“Wonder Woman”) as her Stepmother, the Evil Queen, the magical music adventure journeys back to the timeless story with beloved characters Bashful, Doc, Dopey, Grumpy, Happy, Sleepy, and Sneezy.
A Black amateur bodybuilder struggles to find human connection in this exploration of celebrity and violence.
From Warner Bros. Pictures, “The Alto Knights” stars Academy Award winner Robert De Niro in a dual role, directed by Academy Award-winning filmmaker Barry Levinson. The film follows two of New York’s most notorious organized crime bosses, Frank Costello (De Niro) and Vito Genovese (De Niro), as they vie for control of the city’s streets. Once the best of friends, petty jealousies and a series of betrayals place them on a deadly collision course that will reshape the Mafia (and America) forever.
From Director Steven Soderbergh, Black Bag is a gripping spy drama about legendary intelligence agents George Woodhouse and his beloved wife Kathryn. When she is suspected of betraying the nation, George faces the ultimate test – loyalty to his marriage or his country.
When the girl of his dreams (Amber Midthunder) is kidnapped, everyman Nate (Jack Quaid) turns his inability to feel pain into an unexpected strength in his fight to get her back.
From the Academy Award-winning writer/director of “Parasite,” Bong Joon Ho, comes his next groundbreaking cinematic experience, “Mickey 17.” The unlikely hero, Mickey Barnes (Robert Pattinson) has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.
When twin brothers Bill and Hal find their father's old monkey toy in the attic, a series of gruesome deaths start. The siblings decide to throw the toy away and move on with their lives, growing apart over the years.
After meeting with newly elected U.S. President Thaddeus Ross, played by Harrison Ford in his Marvel Cinematic Universe debut, Sam finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
When a faithful police dog and his human police officer owner are injured together on the job, a harebrained but life-saving surgery fuses the two of them together and Dog Man is born. Dog Man is sworn to protect and serve—and fetch, sit and roll over. As Dog Man embraces his new identity and strives to impress his Chief (Lil Rel Howery, Get Out, Free Guy), he must stop the pretty evil plots of feline supervillain Petey the Cat (Pete Davidson; Saturday Night Live, The King of Staten Island). Petey’s latest plan is to clone himself, creating the kitten Lil Petey, to double his ability to do crime stuff. Things get complicated, though, when Lil Petey forges an unexpected bond with Dog Man. When Lil Petey falls into the clutches of a common enemy, Dog Man and Petey reluctantly join forces in an action-packed race against time to rescue the young kitten. In the process, they discover the power of family (and kittens!) to bring even the most hostile foes together.